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Indigenous explainers: Beading group honours First Nations veterans

The traditional practice of beading traces back some 8,000 years with Indigenous people in North America.

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A beading class at Nenan Dane Zaa Deh Zona produced these poppies, which can be picked up at its offices to raise funds for Indigenous veterans. (Ed Hitchins, Energeticcity.ca)

FORT ST. JOHN, B.C. — On a late October afternoon, a group of beaders stitch little by little, putting together symbols honouring Indigenous veterans.

In Fort St. John’s Nenan Dane Zaa Deh Zona Family Services Society, this is a weekly group for the public to learn the finer points of beading.  

One of the finest examples of Indigenous visual art, ancient beading goes back some 8,000 years – long before the first European colonialists arrived in Canada, according to a CBC article.

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Beads came from material Indigenous artists found on their travels – those included bones, pearls, sea shells and even stone.

Weaving designs on dried animal hair, First Nations people created artwork, jewelry, dolls, clothing, and even pouches.

Materials used today are shiny, tiny beads, influenced by the ones brought from Europe when colonialists first came to Canada.

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The beading class was run by Hailey Testawitch (pictured) and Michelle Elliott. (Ed Hitchins, Energeticcity.ca)

Beading, along with many Indigenous practices, was outlawed when Canada implemented the Indian Act – known as a “culture ban” – from the 1880s to the early 1950s, according to the National Art Gallery of Canada.

However, during this beading class – headed by Hailey Testawitch and Michelle Elliott – participants each sew something symbolic of November: a poppy, used to recognize fallen soldiers.

“Michelle and I have been wanting to do some beading classes,” said Testawitch. “[We decided] to do beading pins for Remembrance Day and wanted funds to go to something meaningful.”

Funds raised by purchasing the poppies – which can be bought at Nenan Dane Zaa Deh Zona offices in Fort St. John – will benefit the Indigenous Veterans Initiative through the Last Post Fund.

The non-profit’s aim is to provide services through the Veterans Affairs Canada’s Funeral and Burial Program, while also providing services with the Indigenous Veterans Initiative. 

Launched in 2019, its goal is to commemorate and honour the memory of over 18,000 Indigenous veterans, many of whom are thought to lie in unmarked graves.

Beads are stitched on twine, with the pattern on a piece of paper being followed on a piece of animal hide. (Ed Hitchins, Energeticcity.ca)

“We learned about this organization where the funds go back,” said Testawitch. “The primary goal is to place headstones with ones who have passed away, whether that was due to duty or whatever that may be.”

The method of beading is done by placing beads on twine, then following a paper design backed onto a piece of raw animal hide. 

Elliott, a member of Blueberry River First Nations, picked up the craft last summer, and described the hobby as something therapeutic.

“I bead when I have a lot going on and I just want to take some time to myself,” said Elliott. “I also like to bead when I am learning something. If I’m watching videos or doing something I have to do for school, then I bead while I’m doing it, because then I can focus.”

Poppies can be purchased by donation by visiting Nenan Dane Zaa Deh Zona Family Services Society during its hours of operation at 10615 102nd Street in Fort St. John from 9 a.m. to 4 p.m. Monday to Friday.

To learn about other aspects of Indigenous culture, check out Energeticcity.ca‘s Indigenous Explainer series.

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Authors
Ed Hitchins

A guy who found his calling later in life, Edward Hitchins is a professional storyteller with a colourful and extensive history.

Beginning his journey into journalism in 2012 at Seneca College, Edward also graduated from Humber College with an Advanced Diploma in Print and Broadcast Journalism in 2018.  After time off from his career and venturing into other vocations, he started his career proper in 2022 in Campbell River, B.C.

Edward was attracted to the position of Indigenous Voices reporter with Energeticcity as a challenge.  Having not been around First Nations for the majority of his life, he hopes to learn about their culture through meaningful conversations while properly telling their stories. 

In a way, he hopes this position will allow both himself and Energeticcity to grow as a collective unit as his career moves forward and evolves into the next step.

He looks forward to growing both as a reporter and as a human being while being posted in Fort St. John.

This reporting position has been funded by the Government of Canada and the Local Journalism Initiative.

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